Frantz Fanon and Édouard Glissant: eleven essays from the South
Keywords:
postcolonial, Fanon, Glissant, South
Synopsis
Each of the essays gathered in this volume brings to the fore through conversations, agonal readings, and perspectives, different ways of establishing contacts with the pasts we call postcolonial, which breathe and inhabit the writings of Frantz Fanon and Édouard Glissant. We call them postcolonial because the understanding of that term, in the numerous ways of approaching it that it has had in the last 40 years, leads us to a close relationship with everything that in our age and geography remains open, in dispute and is subject to intervention. against modern colonialism.
Chapters
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Introduction
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1 / Notes for a fanonian critique of the present
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2 / The permanent invention
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3 / L'oeil se noie and its links to the work and life of Frantz Fanon
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4 / Frantz Fanon. Entre signos, lenguas y contratos
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5 / Fanonian demarcations in the political-pedagogical writing of Paulo Freire
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6 / Still about Frantz Fanon: 60 years of The Damned and 70 of Black Skin
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7 / Desire and subjectivity from the perspectives of Fanon and Glissant
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8 / The underwater communion
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9 / Mirages in the sea. Fanonian and Glissantian traces in the letters and visual arts of Grada Kilomba and Aline Motta
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10 / On the concept of "history" in Édouard Glissant and Sylvia Wynter
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11 / From the geopolitics of domination to a transmodern cosmopolitics of the relationship
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Authors' notice
Published
November 24, 2022
Series
Copyright (c) 2022 Alejandro De Oto - Karina Bidaseca - The authors - Qellqasqa